One of the key features of our DMG Lumière MAXI MIX LED lights is their ability to be tiled and synced together. This feature enables filmmakers to create large or different shaped lights on set....

There are many reasons why a production might be forced to cancel a location shoot. Sometimes budgets or local incentives change, sometimes cast or crew schedules change, and sometimes a global...

Rosco’s DMG Lumière MIX LED lights have been lauded by many filmmakers around the world for their ergonomic and compact design, their intuitive and innovative control options, and their fantastic...

Our scene opens inside a military airplane filled with soldiers. An explosion rocks the fuselage. The pilot can be heard off-camera. “MAYDAY, MAYDAY … EMERGENCY … CRASH LANDING … ARMY...

Mike Baldassari When is blue not blue enough? When you’re Tony and two-time Emmy-nominated lighting designer Mike Baldassari, the answer to that question was always “once the light dims down far...

In the spring of 2019, we chose e-colour+ #5085 French Lilac as our Rosco Color of the Week. Tying the French Lilac to the French Quarter – we decided that the theme of that week’s post would be the...

Produced by TV Asahi, The Woman of S.R.I. is a Japanese detective TV series that focuses on Mariko Sakaki, a forensic researcher in the Science Research Institute of the Kyoto Police Department....

José Luis Alcaine is one of Spain’s most distinguished cinematographers. He is known for his work on legendary Spanish films like Jamón Jamón, Tie Me Up! Tie Me Down, Women on the Verge of a Nervous...

What’s old is new again with Zeiss’s relaunch of their DigiDiopters – now fit for the Zeiss Supremes, the Zeiss Compact CP.3 Prime Lenses, and the Zeiss Supreme Radiance Primes. Cinematographer Danna...

When the Art Directors Guild announced its nominations for their 24th Annual Excellence In Production Design Awards, we were thrilled that our Rosco Digital Imaging team had been a part of so many of...