We break down the essential components needed to generate theatrical fog & smoke effects as we explain how a fog machine works.
Cinematographer Ed Wu used CalColor 90 Lavender gels to create a moonlight effect that conveyed the heat of the desert at night for the film “End Of The Road.”
Designer Craig Winslow used Rosco Image Spots and Custom Glass Gobos to revive a set of faded ghost signs in Winnipeg, Canada.
Rosco Ambassador Richard William Preisner created a tool that filmmakers & photographers can use to evaluate different Rosco diffusion materials.
Lighting designers used Rosco X-Effects to create an elemental water effect inside Hakkasan restaurants around the world.
Photographer Jaqlin Medlock explains how she uses the gels inside Rosco’s Color Effects Filter Kit to add color & character into her dance photography.
Max Media used Rosco DigiComp® HD Paint to create a better green screen inside their virtual livestream studio.
Visual artist Elisabeth Brockmann used hundreds of Rosco color filters to re-create a stained-glass glow inside the Baukunstarchiv NRW museum in Germany.
Gaffer Torben Wenneberg explains the benefits of each DMG MIX Light as he describes how he used them to light a Danish TV series.
Lighting Designer & Rosco Ambassador Nick Diaz shares techniques, tips, and recipes for creating different lighting effects with the Rosco X-Effects Projector.