Photographer Jaqlin Medlock explains how she uses the gels inside Rosco’s Color Effects Filter Kit to add color & character into her dance photography.
Max Media used Rosco DigiComp® HD Paint to create a better green screen inside their virtual livestream studio.
Visual artist Elisabeth Brockmann used hundreds of Rosco color filters to re-create a stained-glass glow inside the Baukunstarchiv NRW museum in Germany.
Gaffer Torben Wenneberg explains the benefits of each DMG MIX Light as he describes how he used them to light a Danish TV series.
Lighting Designer & Rosco Ambassador Nick Diaz shares techniques, tips, and recipes for creating different lighting effects with the Rosco X-Effects Projector.
Cinematographer Eduardo Ramirez used the entire family of DMG MIX lights while shooting “Remember Me: The Mahalia Jackson Story.”
Designer Jason Hand describes how he uses Rosco OPTI-SCULPT lenses to create smooth washes in his lobby lighting designs for “Immersive Van Gogh.”
Cinematographer Fernando Argüelles describes how he used Rosco SoftDrop to create realistic background imagery for two very different television shows.
Designers used Rosco Image Spots to create warm and crisp gobo projections that subtly blended into the gothic architecture of Metz Cathedral.
Cinematographer Alberto Ulloa shares five lighting setups with DMG Lights that he used to illuminate a recent commercial shoot.