Stuart White is a London-based cinematographer with experience shooting feature films, TV shows, corporate videos and internet projects. Most recently, he's been busy shooting comedy-drama programmes...

The dystopian, totalitarian society that you know as Gilead lays the framework for the hit Hulu series, now in its third season, which was adapted from Margaret Atwood’s novel The Handmaid’s Tale by...

Car chase scenes are a staple of any action movie, and many times they involve some sort of police or emergency-response vehicle with a flashing lightbar on the top. While creating the assets for our...

Pepsi’s “More than Okay” ad campaign includes two commercials starring Jay Pharoah and Joel McHale who are both asked “Is Pepsi Okay?” The one-shot ad spots take them through a carefully...

It’s been over a year since we introduced the DMG Lumière MIX LED Technology, and one of the attributes filmmakers have appreciated most is its ability to accurately match Rosco gels on traditional...

For an inspired, fresh approach to filmmaking, sometimes it helps to examine the latest projects coming out of film schools around the world. Paul Nungeßer, for example, is a third-year...

James Mathers has been the director of photography on over 40 feature and made-for-TV films, and has been associated with six TV series from inception through the show’s first season. He is also the...

Several years ago, I was asked to design the lighting for the much-anticipated renewal of Canada’s leading sports channel. Early on in the design process, I was cornered by one of the producers and...

Filmmakers often select their gear based upon the needs of their projects. Rarely, however, do they select their projects based upon inspiration from their gear. This was, however, the case for...

Often used in architectural installations, Rosco’s Image Spot LED Gobo Projector received some on-screen attention on The CW’s hit show, DC’s Legends of Tomorrow. When preparing to shoot the Season 4...