Jay P. Morgan from The Slanted Lens recently took us on a tour at The Mannequin Gallery in L.A. to show us how to light an interview in mixed lighting situations using Rosco's LitePad Vector CCT LED...

Above is the music video for a song entitled “Intelligente Marionette” by the band Cats & Breakkies. There are a few things that make this video remarkable: 1. Most of the video is one, continuous...

When a group of VIP Chinese filmmakers visited Hollywood for the ASC 2016 International Cinematography Summit, they took time out of their busy schedules to visit Rosco’s Los Angeles office. The...

When broadcasters want to share the view outside their studio with their audience – they have two window-control challenges that they need to overcome: #1: maintaining the proper exposure through the...

It seems that almost every shoot I work on has at least one green screen setup these days. How I light that green screen depends on if I am using a client’s gear or my own equipment, how large the...

Back when theaters were lit almost exclusively with Tungsten-Halogen lamps, choosing gel colors was easy! In today’s venues, there is a healthy mix of fixture-types – especially as white LEDs find...

At NAB last year, I met filmmaker Micah Van Hove who was shooting booth videos for NoFilmSchool.com. While he was there – I introduced him to the LitePad Vector. Since then – he and I stayed in touch...

The 2016 Summer Games in Rio are quickly approaching, and many set and lighting designers are searching for ways to add depth, color and spark to their broadcast set design. The solution, in my...

With space and power continually at a premium, backlighting scenic graphics or creating interesting color backgrounds can be a formidable task for set and lighting designers alike. The solution to...

A couple of years ago, cinematographer Eduardo Fierro shot a commercial spot that made the semi-finals for Doritos’ annual “Crash the Super Bowl” contest. Fierro’s greatest challenge in shooting the...