Scenic Designer Tammy Honesty and her scenic painter Ely Mattson describe how they successfully used Rosco CrystalGel to prime some powder coated corrugated steel so they could paint it for a production of Andrew Lippa’s “Wild Party.”

Scenic Designer Tammy Honesty and her scenic painter Ely Mattson describe how they successfully used Rosco CrystalGel to prime some powder coated corrugated steel so they could paint it for a production of Andrew Lippa’s “Wild Party.”
Lighting designer James K. Davis explains how he used to Rosco Effects Glass gobos like Prismatics and ColorWaves in a production of Shakespeare’s The Tempest to not only create magic on stage – but also realize the vision of the show’s scenic designer and director.