See how Rosco CrystalGel was used as a primer for painting foam pumpkins, beach umbrellas, and plastic flowers to create an alien-themed Halloween display.
Scenic artists at The Alliance Theatre in Atlanta shared how they used Rosco Flexbond to create large-scale papier-mâché scenery for a production.
Scenic Artist Tessa Broyles takes on the “Anything But A Paintbrush” challenge to paint landscape scenery using a variety of painting tools & Rosco Paints.
Scenic Artist & Rosco Ambassador Tessa Broyles describes how to mix earth tone paint colors using the Off Broadway Scenic Paints found inside our Rosco Scenic Sets.
Scenic Artist & Rosco Ambassador Tessa Broyles uses our Scenic Set paint kits to explain basic color theory and how those principles can impact paint mixing.
Scenic Artist Tammy Honesty explains the process she used to paint a 3D-printed replica of Florence, Italy’s famous “Liberty of Poetry” statue for an exhibit at the Ellis Island National Immigration Museum.
It’s hard to find a wide-width wood graining tool. So, when Scenic Artist Terra Writz needed to paint 6-in planks for a faux parquet floor – she made her own. Then she shared her process with us!
Designer Heidi Hoffer conducted a foam carving workshop that discussed how to prime foam that included a section on how to prime foam scenery with Rosco FoamCoat and CrystalGel scenic coatings.
Scenic Artist Tim Parati used Rosco Invisible Blue Fluorescent Paint to create large, glowing scenery for a production of “Pete The Cat” at Children’s Theatre of Charlotte.
Scenic Artist, Rachael Claxton, describes three ingenious ways to put Rosco CrystalGel to work in your next scenic art project.