Designer Heidi Hoffer conducted a foam carving workshop that discussed how to prime foam that included a section on how to prime foam scenery with Rosco FoamCoat and CrystalGel scenic coatings.
Scenic Artist, Jamie Clausius, shares her rediscovery of schlepitchka – and other inventive scenic art techniques – for a backdrop project she painted for Tobins Lake Studios.
Lighting Designer, James K. Davis, shares a useful, low-budget, low-tech solution for blending projections from two projectors onto one surface.
Scenic Artist Mikah Berky explains how Rosco Supersaturated Scenic Paint enabled her paint crew at Oregon Shakespeare Festival to paint a large backdrop on China Silk for a production of “The Wiz.”
Scenic artists at Perry Scenic Creative used Rosco Fluorescent and VividFX Scenic Paints to create bold colours for the “Flower of Life” artwork seen on stage during Coldplay’s “A Head Full of Dreams” tour.
Scenic artist Rachael Claxton shares her favorite new technique for creating a realistic lawn on stage.
Scenic artists at Arizona Theatre Company explain how they used Rosco Off Broadway Paints to tone & age their set for a production of “Fences.”
Master Carpenter for the L.A. Pierce College Theatre Department, John H. Jones creates a plank wood floor with Rosco Scenic Paint!
Scenic artist Angelique Powers shares her technique for creating a bold and powerful scenic backdrop & groundcloth for a production of “Earthquakes in London.”
Scenic Designer Tammy Honesty and her scenic painter Ely Mattson describe how they successfully used Rosco CrystalGel to prime some powder coated corrugated steel so they could paint it for a production of Andrew Lippa’s “Wild Party.”