Cinematographer Anton Mertens describes his process for re-creating 17th Century illumination with SL1 SWITCH fixtures on the period drama “Versailles.”
Filmmaker Tanner Short was so inspired by our Mardi Gras themed Rosco Color of the Week post that he Captured the featured color in the myMIX app and re-created the color with his SL1 MIX light for a Mardi Gras themed videoshoot!
The set lighting team at Toei Studios in Kyoto, Japan invested in DMG Lumière by Rosco LED fixtures to illuminate their hit show “The Woman of S.R.I.”
A look at how award-winning Cinematographer José Luis Alcaine has used Rosco’s DMG Lumière range of LED fixtures on three of his recent projects.
Cinematographer Xavier Dolléans explains how he used the “Capture” feature in the myMIX App to create a unique color during a scene he was shooting for the teen-drama SKAM France.
Director of Photography Stuart White has a set of DMG Lumière SWITCH LED fixtures. He shared with us the five reasons why those lights are on almost every production he works on.
While shooting an independent feature film, Cinematographer James Mathers needed a light that was bright, lightweight, mobile and able to work indoors & in the cold of winter. His solution? The DMG Lumière MAXI SWITCH.
Inspiration for a project can come from anywhere. In the case of the short film “The Producer,” the inspiration was the cinematographer’s DMG Lumière SL1 MIX LED fixture.
Filmmakers working on The CW’s “DC’s Legends of Tomorrow” needed a bright gobo projector that was small enough to fit inside the ceiling of their set. Rosco Image Spot was their solution.
When Gaffer Logan Reynolds needed an LED light fixture he could use as the key light in several different lighting setups for a branded content shoot, he chose the DMG Lumière SL Switch.