Cinematographer Anton Mertens describes his process for re-creating 17th Century illumination with SL1 SWITCH fixtures on the period drama “Versailles.”
Director Anne Meißner and Cinematographer Cristian Faur chose Rosco Silk LED soft lights to illuminate interviews with children for a documentary webseries
The set lighting team at Toei Studios in Kyoto, Japan invested in DMG Lumière by Rosco LED fixtures to illuminate their hit show “The Woman of S.R.I.”
A look at how award-winning Cinematographer José Luis Alcaine has used Rosco’s DMG Lumière range of LED fixtures on three of his recent projects.
Director of Photography Stuart White has a set of DMG Lumière SWITCH LED fixtures. He shared with us the five reasons why those lights are on almost every production he works on.
Behind centerfield at Oracle Park, fans can create their own virtual Giants bobblehead inside a small Augmented Reality studio that is illuminated by a DMG Lumière MINI SWITCH LED fixture.
While shooting an independent feature film, Cinematographer James Mathers needed a light that was bright, lightweight, mobile and able to work indoors & in the cold of winter. His solution? The DMG Lumière MAXI SWITCH.
When Gaffer Logan Reynolds needed an LED light fixture he could use as the key light in several different lighting setups for a branded content shoot, he chose the DMG Lumière SL Switch.
The Lighting Design Group installed several compact and powerful Braq Cube LED fixtures to illuminate the Bloomberg News broadcast studio in Hong Kong and match its overall design aesthetic.
Cinematographer Chris Vanderschaaf recently tested the DMG Lumière MAXI Switch on a high-speed, slow-motion project, then shared how one, singular MAXI delivered the clean, bright output he needed.