Designer Jason Hand describes how he uses Rosco OPTI-SCULPT lenses to create smooth washes in his lobby lighting designs for “Immersive Van Gogh.”
Cinematographer Fernando Argüelles describes how he used Rosco SoftDrop to create realistic background imagery for two very different television shows.
Designers used Rosco Image Spots to create warm and crisp gobo projections that subtly blended into the gothic architecture of Metz Cathedral.
Cinematographer Alberto Ulloa shares five lighting setups with DMG Lights that he used to illuminate a recent commercial shoot.
Art Director Laura Ballinger Gardner shares how she used Rosco SoftDrops in “The Gilded Age” set design to create the show’s period, 1880s backgrounds.
Lighting Designer Johan Röklande used Rosco Image Spots to light up the walkways of Varberg, Sweden, with themed gobo projections.
A video production company used Rosco’s DMG SL1 MIX lights to create bright and bold colors for a pair of dance videos.
Photographer Jason Hill explains how he used dynamic lighting and saturated color to create his recent photo series entitled “In My Skin.”
Gaffer Wayne Shields describes a specific lighting effect he and his crew created for season 2 of “The Witcher” on Netflix using Rosco MIX lights and gels.
Three BIPOC artists – a performer/choreographer, a mixed media artist & a lighting designer – use their art to uplift black & brown voices.