Cinematographer Ed Wu used CalColor 90 Lavender gels to create a moonlight effect that conveyed the heat of the desert at night for the film “End Of The Road.”
Rosco Ambassador Richard William Preisner created a tool that filmmakers & photographers can use to evaluate different Rosco diffusion materials.
Max Media used Rosco DigiComp® HD Paint to create a better green screen inside their virtual livestream studio.
Gaffer Torben Wenneberg explains the benefits of each DMG MIX Light as he describes how he used them to light a Danish TV series.
Cinematographer Eduardo Ramirez used the entire family of DMG MIX lights while shooting “Remember Me: The Mahalia Jackson Story.”
Cinematographer Fernando Argüelles describes how he used Rosco SoftDrop to create realistic background imagery for two very different television shows.
Cinematographer Alberto Ulloa shares five lighting setups with DMG Lights that he used to illuminate a recent commercial shoot.
Art Director Laura Ballinger Gardner shares how she used Rosco SoftDrops in “The Gilded Age” set design to create the show’s period, 1880s backgrounds.
A video production company used Rosco’s DMG SL1 MIX lights to create bright and bold colors for a pair of dance videos.
Gaffer Wayne Shields describes a specific lighting effect he and his crew created for season 2 of “The Witcher” on Netflix using Rosco MIX lights and gels.