The late Lighting Designer Howell Binkley was known for always using R77760 in his designs. We have re-named this gobo BINKLEY REFLECTIONS in tribute to his memory.
A light and sound installation used projected art and poetry to communicate the impact that police violence continues to have on the BIPOC community.
Lighting Designer Christina Watanabe describes how she created passion on stage for a production of “The Wild Party” by using Rosco’s vivid Storaro colors.
Audi innovations were on display inside their CES 2020 booth, which was surrounded by a curtain of Supergel filter strips.
In times of crisis, communities look for symbols of hope. These are three examples of how the lighting community is creating that hope with light.
An explanation about the difference between our Protective Filters: R1991 Super Heat Shield, R1995 Thermashield, and R3114 UV Filter.
Lighting Designer Cha See describes three Rosco solutions she used to create green light in her design for a NYTW production of the play “Houseplant.”
Lighting Designer Mike Baldassari describes how he worked with Rosco to create R381 Baldassari Blue in order to solve a common lighting design issue.
Lighting Designer Edward Hansen explains why the Rosco I-Cue Moving Mirror is an “incredibly versatile tool” – especially for venues with a limited number of light fixtures and dimmers.
When the design team at Sight & Sound Theatres needed a set of compact LED fixtures they could integrate into the set for their production of “Jesus,” they chose Rosco Pica and Miro Cubes.